Ken Paxton
June 2004
“Blast
it Bart, if all you’re gonna do is yap at every magpie that flaps by, you can
just get out and walk home!”
“Wasn’t
very nice,” I mutter to myself not daring to glance up at the mutt. He’s
sitting there all flappy tongued waiting for me to turn his way so I’ll see
his, “What’d I ever do to deserve that?” look. Still a guy’s gotta yell at
something when he’s scraped away most of the skin from three of his knuckles…
probably bleed to death… stupid dog.
I
jamb another log under the rear tire, get in and rev her up but she’s not
budging for nobody and now the engine’s flooded. Bart stretches out in the back,
soaking up the afternoon sun and offers an exaggerated sigh. Bart’s a Rafeiro,
or Portuguese Mastiff… looks a bit like a smaller Saint Bernard and still takes
up half the truck bed.
My
’48 Jimmy custom cab pickup’s been feeling poorly ever since we ran over that
hay bale ten miles back. Fell off a truck right in front of us, bounced off the
asphalt barely high enough to bury itself in the grill. Thing just exploded
when we hit it. Ol’ Bart thought he’d died and was howling to beat the band
until we pulled off the road. Not his fault I decided to take the short cut
over the ridge. Now we’re stuck here on this muddy manzanita hillside, a chilly breeze
cooling off the shady spaces under the pines and a bright sun warming the cab.
* * * *
* * * *
I’m not one to sit around. “This truck’s not
going anywhere for awhile Bart, you stay…,” one sleepy eyelid rises slightly to
show me he’s listening, “keep an eye on things. I think there’s a small town
‘bout a half mile down the highway at the bottom of this ravine.”
Strolling into the nearby town, I notice a couple
sitting at a sidewalk cafe and take a seat at a nearby table. The guy’s wearing
a peacoat with the collar up against his long curly dark hair. Likes to use his
hands when he talks. The girl is comfortably pretty, not gorgeous, wearing a
long beige wool coat. Her eyes are hidden by black-framed librarian glasses.
Her shiny brunette hair falls almost to her shoulders and she’s kinda thin. Her
skinny ankles stick out calf-length pants and poke into her plain black flats.
They’re having an earnest “discussion” and I’m
unable to keep from eavesdropping. The
guy is really putting her down for everything. Seems to enjoy it too, like it’s
some sort of game. She’s not a good opponent and before long silently stares at
the burgundy-brown irises swaying in an adjacent flower bed.
On the ground by my muddy boots, I notice a
peculiar scrap of paper, or picture. Picking it up it looks to be cut from a
magazine and is a bit strange. Set in a square white border is a picture of a
gorilla and one of those large white egret type birds with long curved
feathers. It has an artsy look to it as the gorilla appears more like King Kong
than one of those National Geographic silverbacks I used to see in the
dentist’s waiting room… I mean in the magazine. He stands on two legs sideways
to the viewer and the egret, which is almost as tall, is a little more toward the
viewer with its long curved white feathers crossing the dark looming hulk. Real artsy.
In a moment of inspiration, I hand the picture
to the couple behind me. They really hadn’t noticed me before and both are startled.
I point to the gorilla and tell the guy, “that’s you.”
After that sinks in, he cracks, with a fine
British accent (I dare say), “Oh, and I suppose the bird is Lovey here.”
I reply to the girl, “Very nice to meet you,
Lovey. I reckon you can decide for yourself if that's
you or not.”
Assuming my part of the conversation is over,
and needing to get back where I belong at some point, I get up, cross the
street and make my way along the village-square park. Near to the other side I’m startled to find “Lovey”
walking toward me, minus glasses and wearing a big tan beret. I see her eyes
are really a kind of hazel that seem to reflect the green of the surrounding
park full of large elms. I nod and smile barely, and find an unexpected
attraction to this delicate, elfin creature.
She invites me for a cup of coffee… at a different cafe of course. Seems the
village is full of cafes, boutiques and bistros. I wonder if any one works for
a living. My hands are stuffed in my coat pockets so I gesture clumsily with an elbow toward an obvious pastry shop that occupies an entire corner of the
square and off we go. As we enter and go up to the counter, she slips her arm
in mine and I’m thinking, “My, my, what do we have here?” A heretofore unknown, humbler part of me is completely
flattered amid the wistful stirrings of newfound affections… or something like
that.
She orders a bottled water and I get a
mocha-tres grand-no-whip-du-plus-du cocoa (or is it superbe-sans-whip-mocha-?)
and regular (fat?) milk… will be just fine thank you, with a double extra shot
of that smoky black gold and another of the dark cocoa. This is a man's mocha:
twice the sugar, half the cream and caffeine up the wazoo. We sit down at a
table and start talking about coffee. She’s quite taken with it which surprises
me a little since she ordered the water which is not yet opened. Crunching some
chocolate covered coffee beans in a bowl set on the table like peanuts at the
bar (which explains the rather over-animated character of the clientele), she
pulls out a jar of her favorite coffee and offers me some. All I can say is,
“Wow, Folger’s Crystals.”
I’m a bit stunned, but I take a pinch and put
it between my cheek an’ gum (having some experience with such things) and she
says “No, you dummy, you don’t just let it sit there, you chew it.”
Right then an overly middle-aged guy calls from
across the cafe, “Cyra!” and waves at my new friend. He comes by and asks if we
want to read a new short story he’s written. Wearing a v-neck sweater and
slacks, he looks like he’s ready for eighteen holes or a brandy at the club.
Cyra (sounds like serious) smiles and nods excitedly. So her gentlemen friend
mumbles something about making a copy and hustles off to a photocopier in the
corner.
Turns out it’s a very literary joint, book
shelves all over, and between them various bookworms and other sullen species
are reading or tapping away at their laptops, sipping espressos. I let my mocha
cool some and then ram it down. In a few seconds my heart does a little
jitterbug and I’m ready to take on most anything.
For want of real entertainment we watch the
progress at the copier and shortly see the machine is not working (see, this is
a real copy machine). All of a sudden
about six guys come out all dressed like Mr. Brandy, some with aprons on so I’m
guessing they must own the place and pretend to work here. They start fussing
all over the copier: cabinet doors fly
open, one produces a toner cartridge and holds it up for the rest to see like he’s
carefully removed the patient’s heart, and another one produces a pile of
crumpled paper extracted from section 'A' after rotating knob 'C' counter
clockwise while holding up lever 'D' and standing on one leg. He hands the
papers to Cyra’s friend and says, “Here’s your story, Richard.”
Richard mumbles to Cyra as he dumps his story
into the shredder, “We’ll get a copy for you momentarily,” as though the launch
of the next space shuttle was held up waiting for a good copy, “t-minus 10, 9,
8… Houston, we have a problem… Capcom, when will we get a clean copy of that
story sent up to Cyra? Wait one, Flight, checking now. FIDO, we need a solution on that copier
trajectory…”
I think to myself, as a way to kill time the
whole situation seems to be improving. Certainly the entertainment factor has
risen a notch. Meanwhile Cyra moves her chair around the table next to mine.
She naturally slides into my arm across her shoulders and we take a moment to
look warmly into each other’s eyes, pretty enchanting really. Now our faces get a little closer and next
thing you know it appears we’re on a fast track to the kiss of a life time.
Vague sentiments try to inform me about a previous commitment I might have, and
quickly disappear. But before the magic moment arrives, a loud party bursts
into the cafe and everyone, unfortunately including Cyra, turns to see who it
is. She exclaims, “Look! It’s Hemingway’s daughter!” so of course we’ve got to
see this.
Now, I swear I saw a picture of Hemingway’s
daughter some place. Seems all the famous guys’ daughters take on a fame of
their own: Picasso, Stalin, Hemingway and virtually every President since FDR.
A picture of her comes to mind: a bookish progeny with, as I recall, wavy dark
hair. Well, this Hemingway’s daughter had dull red hair, hanging straight down,
around a puggy face and entered the café with a young kid, apparently
Hemingway’s grandson, and a real imitation cowboy, with a beer gut pinned to
his Wrangler’s by a belt buckle the size of a 10 lb. angus steak. Wearing a
Stetson, a ‘cowboy’ shirt, and, to complete the ensemble, a pair of handsome
SKs… uhmm, boots minus spurs that is. With what meager authority I could manage
I observe “She doesn’t look like Hemingway’s daughter” and Cyra coolly rebuts,
“Hemingway managed to have more than one.”
While these blustery folks are quickly joined
by a noisy crowd of Hemingway’s this and that, I’m trying to figure out how to
get back to doing what we were about to do, a prime interest of mine, being
truly smitten by one of the oddest females I could ever imagine. I don’t know,
she just has this cute little turned up nose, and her rosy lips sweep up at the
corners naturally suggesting a satisfied kind of smile. The absence of her
glasses is a mighty improvement. So I’m trying to get her romantic attention
once again, and up strides her pal Richard with a real sophisticated woman on
his arm, dressed up in heels and a long blue dress, covered by a fur coat that
partially hides a string of pearls.
Richard mumbles an introduction and this lady
extends a hand to Cyra affirming, “It’s a pleasure to meet you.” Then I realize
Cyra has stood up to be polite so, recalling some fragment of etiquette that
never quite lodged itself in my Rules of the Road, I scramble to my feet and
prepare to say, ‘Pleeztameechoo’ and come upon a troubling revelation. My new sweetheart is at least six
inches taller than I am. What’s worse, Richard and his lady friend are even
taller. The conversation simply takes off without me and I’m feeling like the
kid who doesn’t get chosen to be on anybody’s team because… well he’s just
inferior, that’s why, no point in dressing it up.
Then Hemingway’s loud mouthed daughter calls
attention to herself once again and everyone seems to be heading out the back
door of the café into a small courtyard, me and Cyra included, not that I could
explain that to you, I really wanted to get back to… reading that short story
if you know what I mean. So there we all are and the imitation cowboy is
putting some huge mushrooms sliced in two with a chunk of goat cheese stuck in
them on the grill and everyone’s looking forward to a treat.
But Richard and lady friend are about to leave,
and apparently Cyra and I are invited to come along to some out of the way
place up in the mountains called the “S & Awl” for dinner. Then I remember
her bottle of water sitting on the table and, deciding it’s time to show my
real genteel qualities, I rush back inside to fetch it for her, she never
having opened it; you can’t waste something like that. I manage to worm my way
back through the crowd and into the café, find the water bottle which now is
only about a third full which completely puzzles me to no end, and go flying
back out to catch up with my lovey, Cyra, and our new friends.
I don’t see her anywhere! I’m running up and
down the sidewalk trying to find her and then notice a bus pull away with the
destination set to “Essen Hall”, and I have the desperate, sinking feeling
that’s the end of a beautiful romance.
I’m beside myself and more than a little
confused by the whole thing. Wandering back the way I came, someone shoves a
grilled mushroom in my hand. I’m not real hungry but don’t have the presence of
mind to throw it away. Finally I cross the park in the square and head back to
where I entered the village by the first café. Crossing my path is none other
than Magilla Gorilla with a British accent himself. I hand him the mostly empty
bottle of water and before he can thank me, that old mushroom leaps out of my
hand and squashes itself into His Rudeness’ curly locks. While he scrapes at
the well embedded cheese I continue on to find my truck.
* * * *
* * * *
The
rumble of a diesel engine roaring up the road startles me out of a deep and
mystifying slumber. ‘Peers I’ve drifted off to sleep waiting for the carburetor
to dry out and had a most enjoyable dream… to a point. Ol’ Bart wakes up at the
same time in the back of the truck and lets the bus have a piece of his mind,
or whatever he’s got working up there between his floppy ears.
Bus?!! I jam down the starter pedal and mash the
accelerator to the floor, hoping my flooded engine can finally work itself into
running order, and sure enough she fires up rough and ready. I leap out and throw Old Bart and some logs
under the tires for traction (just kidding about Bart) and gun her royal, mud
flying everywhere. Bart starts barking
his approval and encouragement, and we’re sliding sideways down the hillside
until finally the tires bite into something more solid. Bouncing back onto the highway we’re in
pursuit of a bus, going I-know-not-where, and carrying most-definitely-not,
Cyra, my most recent fickle heart fling. But of course I gotta go check this
out.
It doesn’t take long to catch the bus, laboring
in low gear to make the grade. Above the
back window in its destination marquee is the name “Essen Hall”, and I am
getting a touch prickly-haired along the neck.
The bus pulls over into the slow lane and I
speed up to pass. Bart barks his fool
head off at the bus and I’m wanting to smack him one.
I slow down in front of the bus and the driver
has no choice but to stop. Running up to the door prompts the driver to open
it. I bolt up the stairs and immediately call out, "Cyra," figuring
the best defense is a good offense, and no one would suspect I'm chasing my
dreams if I go about in an ardent manner. Who’s going to know? They’ll assume I'm as known to her as I make
myself out to be. And what if she is on the bus? Better to act like she ought to know me than
to sneak up on every pretty young thing and suggest maybe we’ve met before. But
the only folks on the bus are a half dozen little old ladies lookin’ like
they’re off to bingo night and, in the back, a guy in a pea coat reading a
book.
“Missing your girl there, Sonny?” presumes the
bus driver.
My rush of boldness fades so quickly I stammer,
“I don’t know,” such is my confidence in dreams.
“Well, a young lady deboarded back in the last
town, Bitterbend. Looked a bit lonesome, too.
Now if you would kindly move that wreck of yours ‘n that sorry excuse
for a canine, we need to be getting’ on.”
I plod down the steps and bang back into my
truck, Ol’ Bart smilin’ that big stupid grin of his as if he knows somethin’ I
don’t and he’s not about to tell, although he's dying to do just that. We fly
up the road, make a u-turn and head for I know-not-what sort of adventure.
Bitterbend
is known to me having once there engaged in an apple barrage of old man
Foster’s house from the other side of their modest library with my cousins.
They lived outside of town on their parents’ 1400 acres, more than 600 sportin’
the tallest, goldest wheat I’ve ever seen. There were a lot of apples in the
gnarled old tree next to the library, which is why we found ourselves
belly-down behind some gooseberry bushes growing along Cottonwood Creek, as the
town constable rolled by in his super-sized sedan trolling for waifs with time
on their hands to wax his ride.
Now,
it was kind of nice to be able to proceed through the town like an ordinary
citizen with nothing to fear from the local law enforcement, that is if I can
stop Bart from yelping at everything he sees. As it is, I figure I better lay
down the law. Pulling over to the curb, I get out and, before I can say
anything, Bart flops down for a nap, silent as a mouse, ‘cept for that special
sigh only a dog can make when he wants you to believe he could not be more
exhausted. The truck grill is hairy with
hay stubble and the fenders covered with mud. “Car wash, Bart!” He leaps up
crazy with excitement at the mention of his favorite game. “Just kidding you
mutt. You’ll have to wait until we get home.” His tail wags slows and his eyes
betray astonishment at my cruel tease.
The
palatable aroma of a straight forward dark roasted pot o'jo' wafts across my
nostrils and I am ready to hunt it down when my gaze freezes on an art print gallery
only a couple stores down the block. In a window by the entrance is an image
I’m sure I’ve seen before. A tall curving white form against a dark massive
shape in the background. The picture I
found on the ground! I run to check it out and see I am perhaps a bit too
trusting in somnolent (the only vocab word I recall from English 101)
meanderings. Actually the curving white form is a splashing rivulet of snowmelt
bounding down a large jumble of black basalt with leaping salmon here and
there. Sure gave my heart a twitch though.
A
bit dazed, I’m drawn to a neighboring coffee shop to order up a giant
Machiavellian Power Mocha - 6 shots! with bitter dark chocolate & foamed half and half. I’m in line behind
three or four folks all studying newspaper headlines on a nearby wooden rack. A
pretty sounding voice ahead of me orders a bottled water, and that
fear-of-further-disappointment grips my chest again. I absolutely do not
believe a dream is going to turn out to be real, but then why am I here in this
little one dog town anyway, if not to chase down a most enchanting earth
maiden?
Abandoning
my bold strategy for exploring the bus, I grab a newspaper and bury my face in
it like I’m some private eye on the prowl. The water is delivered and my
quarry, wearing a long beige wool coat and… a beret! is about to turn around
when a noisy bunch enters the front of the store. Deliberating why I should be
concerned about this young lady recognizing me as she could not possibly know
me from a dream, I turn to see what all the racket is about, expecting at any
moment to hear someone exclaim we are being entertained by Hemingway’s
daughter.
Outside,
a charter bus expels about a hundred European tourists, happy souls grateful
for the chance to get a laté and a fistful of biscotti. Suddenly the push from
this crowd causes our line to swerve over a bit just when the pretty young
voice with the bottled water comes by. In seconds I am eyeball to eyeball with
a thin, hazel-eyed, dark haired wonder far more beautiful than the elusive
apparition my slumbering imagination conjured up. Where the gumption comes from
to speak in a moment like that I can’t tell you… “Cyra?” I ask most sincerely
before she’s able to move on.
As
our eyes lock together in an "I know you from somewhere, don't I?"
gaze, a much taller guy swoops out of nowhere and proclaims, "C'mon we're
going to be late!"
The
object of my affections, breaks away and puts her arm through his, says in a
sparkling voice "Oh, there you are Richard," and off they go, leaving
me frozen in complete disbelief and shock.
Finally,
I rouse myself and instinctively yell, "Hey!!", which loses all
meaning in such a crowded and noisy situation. Three startled folks all ask,
"Are you ok ?" and I give them a blank stare as if I’m caught in a
slow motion replay, showing the fumble over and over again on the big screen at
the local stadium.
Ricocheting
through the crowd like the pinball wizard I’m not, I try to exit by the same
side door as my quarry, but instead I bounce off a couple of folks who are
coming in, and, wielding their superior momentum over my streamlined physique,
send me flying toward the front door.
I take a look in Bart's direction and it seems he's found a friend. There, leaning right
on the side of my dear ol' truck, scratching the chin of my dear ol' Bart, is
none other than the girl of my dreams!
Approximately
ten or twelve billion nerve endings all fire off at once in my already
over-taxed brain. It's all I can think to do to keep my mouth shut so I don't
start drooling, just like a certain four-legged companion of mine. I’m
paralyzed, no clue what to do next. I know I need to move my feet and I am
doing everything I know how to accomplish exactly that, but nothing is working
right and it just scares me that much more. If she sees me in this state, she’ll
have every reason to be convinced of my complete ineptitude, and not even Bart
himself will be able to dissuade her opinion.
"Cyra!"
I yell out and, as I pull around to her side of the truck, "he's not as
friendly as he looks, can be a real threat to one's health."
Stupid
mutt is as smitten as I am. He turns his head a bit and looks deep into her
sunlit eyes as if to say, "You don't really believe I could hurt a flea do
you? Can you scratch a little over to the right? Oh, yeahhhhhhhhhhh…"
She's
quick to point out, "Cyra seems a strange name for a killer brute sporting
his type of equipment."
"No
I meant…" but I can’t finish. My
words are drowned out by the toney drone of a restored 1955 MG with bird's eye
maple dash board all polished real pretty like. As it pulls to a stop, irony
sets in hard as I remember a 1/24th scale version of the very same vehicle,
complete with the special rubber-gum tires of a hot pre-adolescent slot car...
assembled the stamped-steel chassis, walnut-sized motor, crown-geared axle with
plastic bushings and polypropylene decal-covered body myself… she's gone! Like
a daydream burst in math class, bouncing off in a breezy forest-green classic,
tossing her beret into the back, as they pick up speed and turn right at the
sign, ‘HWY 15’. Disgusted as one with a right to be, I determine to head home
and stop by the car wash to spray off the truck… and the dog.
'Course
the car wash is only a ways up Highway 15. Can’t see how it would hurt if we
pretend one last time there’s a meeting of destiny in the very near future.
Bart and I round a long curve where the highway parallels a bend in the river
called the Devil’s Elbow, and there they are, broken down on the side of the
road. We pull up, Bart leaning over the side of the truck bed as if to ask,
“Have you seen my chew bone?”
“What’s
the trouble?” I ask.
Richard
replies, “Out of gas.”
“Dang…
I can go back into town and get some for you.”
“There’s
no time, Lovey here needs to get to the airport. Would you be willing to give
her a ride?”
I’m
already holding open the door before he says “to” and an angel brushes past me
to climb aboard. Apparently heaven is getting impatient. Bart stares through
the rear window with his tongue hanging out the side of his mouth and I pray I’m not doing
the same. By the time she settles in, the truck is gliding along the highway, acting like it has taken on new airs. In fact it has for the cab is
filled with the most majestic combination of perfume and presence I’ve ever
encountered.
After
all this, at last, I get to talk to the real girl of my dreams… and I can’t
think of a single thing to say. She breaks the silence, "How'd you come up
with a name like Cyra for such a beast?" She turns to me inquisitively and
I practically fall into those sweet enchanting eyes.
Managing
somehow to refocus on the road ahead I reply unconvincingly, “Actually I was
referring to yourself.” She’s quiet. After a mile or two she recalls in a
wistful soft tone, "Cyra was my mother's name," as she stares off
into the distance out the side window… tie
game, two down, bases loaded, swing and a miss strike three.
All
my male insight concludes there’s a well of mystery here waiting to be
explored… and completely unavailable for that purpose. I’m about to ask for her
hand in marriage, no, I mean her name… and she points out, “There’s the exit,”
in a way that indicates all conversations, be they real or imagined, have come
to an end.
The
airport seems merely an exhausted extension of the highway. You travel for
miles, take an off ramp, pull up to a curb, the door opens and a muffled
“thanks” barely reaches your ear before the truck door slams shut. And with
each step she fades away into the darkened glass of the terminal building like
a rainbow trout that snaps the line inches from your net. Bart watches her for
a moment and then turns to me with an expectant look like, “Well aren’t you
gonna get it back?” Life boils down to a simple formula for Bart: either
something is arriving for him to eat or play with, or it needs to be chased
down for him to eat or play with. There’s no such thing as “I’ll save that for
later,” or “that’s the one that got away.”
His
thoughtful countenance is interrupted when my foot slips off the clutch and the
truck lurches forward a few feet, sputters and dies, tossing the dog around
like a sack of potatoes. I start ‘er up, shove ‘er into second gear and head
back to the highway, “Time to find that car wash, Bart.”


